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how I became Francesca Bliss

My parents named me Masha, or Maria, which are the same name in Russian. My given name was something that I lived with for many years, never hating or loving my name, just being ok with it, I suppose. I was also ok with who I was, but not in total acceptance of myself and full of fears and limitations. One day, when I was working at a language school where I got to meet a lot of people from different countries, I met a young woman from Argentina. She came in with her boyfriend ...

My parents named me Masha, or Maria, which are the same name in Russian. My given name was something that I lived with for many years, never hating or loving my name, just being ok with it, I suppose. I was also ok with who I was, but not in total acceptance of myself and full of fears and limitations. One day, when I was working at a language school where I got to meet a lot of people from different countries, I met a young woman from Argentina. She came in with her boyfriend to inquire about learning English and getting a student visa as a way to stay in the country.  The woman must have been in her early thirties - tall, well-built, thin, long thick black hair, and an aquiline nose which did not spoil her looks, but, on the contrary, gave her that je ne sais quoi. She was impeccably dressed, simple yet tasteful jewelry adorning her fingers and wrists. I was fascinated by how she looked. I was fascinated with how she spoke - not rushed, taking her time, confidently, basking in her glory with each word she uttered. When she was impressed or surprised by something, she would say "increíble", in a sing-songy way (mind you, the entire conversation was in English,  and "increíble" means incredible in Spanish). I wanted to be this woman. I wanted to be as confident as she, I wanted to take my time when expressing my thoughts and have the whole roomful of people looking at my mouth waiting to catch the next word. This woman's name was Francesca, and that day I decided that my alter ego would be named Francesca and that I would be just like her. Limitless, confident, extraordinary.  

Several years had passed before I remembered about my Francesca. Then one day, when looking for inspiration about what to write for my Spanish classes, I started writing about her in my not yet perfect Spanish. My wonderful teacher Rosario would painstakingly correct my mistakes and encourage me to continue writing as Francesca's story and adventures seemed to amuse her. I kept writing and as stories emerged, Francesca became more real to me, even though she was just a personage in my homework assignments. 

When I delved into photography and a couple of years later was faced with a question of choosing a name for my photography business, I did not want it to be my given name because it seemed too prosaic. So I came up with a whole list of names such as soulful photography, eye of the beholder, soul reflections, inner light photography, etc. I wanted the name to reflect that my photography went beyond the skin-deep, but glimpsed at the subject's soul and revealed her or his essence (and mine, essentially).  After googling all the names that I came up with, it turned that all of them already belonged to some other photographer and it left me no other choice but to continue searching for THE name.

After a photoshoot with Paul Anthony II, a South Florida reggae artist, we sat down in a Starbucks and I asked for his ideas for my photography business name. I told him about Francesca, and he suggested that I name my business Francesca Something, so it would be a name, a pseudonym. Then a few weeks later I was visiting my beautiful friend Victoria aka Tara White - an artist, a loving soul, and a dear friend. I told her the story and added that I want the word "bliss" to be a part of the name because bliss is what I felt when I was doing photography. "Francesca Bliss", she said. "The name it Francesca Bliss. YOU ARE Francesca Bliss".

I was blown away. That was it! That was THE NAME, though it would take some getting used to the idea of having a pseudonym, and practice telling people that my artistic name was Francesca Bliss, and not worry that they would think I was crazy. Some still do, but it all comes from within. And I stand firm in my truth that I am an artist and my name is Francesca Bliss. 


more about my photography journey and life:

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Marny as goddess Isis (Goddess Photoshoot report)

Had an amazing photoshoot with Marny just a few weeks ago. Marny took such great care in preparing for the shoot by finding the perfect dresses and accessories. (Properly selected outfits are one of the steps that ensure a successful photoshoot!) Marny embodies the energy of Isis, the Egyptian Goddess of magic, motherhood, healing and rebirth. 

Had an amazing photoshoot with Marny just a few weeks ago. Marny took such great care in preparing for the shoot by finding the perfect dresses and accessories. (Properly selected outfits are one of the steps that ensure a successful photoshoot!) Marny embodies the energy of Isis, the Egyptian Goddess of magic, motherhood, healing and rebirth. 

I have put together this artwork for Marny to celebrate her devoting to the art of healing: 

Curious about what it would be like to have your own Goddess Photoshoot? Send me a message and let's talk about what kind of photos we can create for you. 

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fun couple shoot

Always experimenting and pushing outside of your comfort zone is a great way to stay inspired and to grow as an artist. I was fortunate enough to come across a couple who was willing to be experimented upon and trusted me in choice of poses for them. While doing my research in preparation for their session, I came across photos of Adam Levine and his Russian supermodel girlfriend Anna Vyalitsina for a recent issue of Vogue.  Kerem and Elia, my models, ...

Always experimenting and pushing outside of your comfort zone is a great way to stay inspired and to grow as an artist. I was fortunate enough to come across a couple who was willing to be experimented upon and trusted me in choice of poses for them. While doing my research in preparation for their session, I came across photos of Adam Levine and his Russian supermodel girlfriend Anna Vyalitsina for a recent issue of Vogue.  Kerem and Elia, my models, recreated two of the poses, the side by side comparison of which is presented here. I know, I know, my angles are wrong, and I didn't edit the cropped backdrop, and my models are not ten feet tall, but, nevertheless, it was so much, and next time I will do better. We must try and fail many times before we perfection is born, and I will not relent :) 

My angle is not as low as in the Vogue photo, (don't even get me started about my backdrop), and the pose might not be exactly like the celebrity couple's, but it's close enough and it was so much fun to create! 

And this is my favorite shot of Elia from our session: 

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one woman's story - why I chose to do a Goddess Photoshoot

My recent Goddess Photoshoot with Francesca Bliss was the culmination of several important themes in my life. For many years, I’ve studied Women’s Spirituality and Goddess Archetypes as a way to access the innate divinity in myself and other women. I believe that what you worship and what you defile say a lot about a person. For instance, in Western culture, why is God a man, and woman his submissive? This dynamic shapes not only religion, but the relationship between the sexes, and ...

 
You were wild once. Don’t let them tame you.
— Isadora Duncan
There is a goddess in every woman.
— Susun Weed
 

My recent Goddess Photoshoot with Francesca Bliss was the culmination of several important themes in my life.  For many years, I’ve studied Women’s Spirituality and Goddess Archetypes as a way to access the innate divinity in myself and other women.  I believe that what you worship and what you defile say a lot about a person.  For instance, in Western culture, why is God a man, and woman his submissive?  This dynamic shapes not only religion, but the relationship between the sexes, and the relationship between humans and the earth.  Both the earth and women are currently seen as expendable resources, and thus, often used and defiled.  But what if we changed this paradigm—if we started seeing women (ourselves!) as sacred?  Earth based religions see men AND women as divine, and the earth itself as a Goddess.  Mother Earth, or Gaia, nourishes all of us, and must be treated gently. 

Secondly, a big part of my journey towards accessing my inner goddess has been intertwined with my relationship with my body and sexuality.  I have always been a curvy girl—ever since middle school, I had wide hips and generous breasts.  Even at my smallest and most fit, I was a size 6.  My hips and breasts just naturally wouldn’t get any smaller.  When I was 15, I began to gain weight.  I struggled with my weight and body image constantly since puberty, in a world that defined thinness as beautiful.  In college, I started to see myself as beautiful again, but was the victim of sexual assault that taught me that my body was an object and was dirty and shameful.  I spent much of the next decade trying to find value by making myself beautiful enough, sexy enough to please men. 

During my pregnancy and postpartum, I gained a lot of weight. I was in an abusive relationship and suffered severe postpartum depression.  When my daughter was 2, I decided that I hated myself because I was fat, and embarked on a year and a half weight loss journey. Yet I was more miserable than ever.  And along the way—somewhere in the midst of obsessive diet and exercise—I developed an eating disorder.  Since my desire to lose weight was motivated by self-hatred, I quickly became addicted to the attention I got when I became smaller and smaller.  I was so addicted to the love of others that I found myself starving, spending hours at the gym, and engaged in multiple affairs.  I couldn’t get enough of anything.  I was empty inside. 

Thankfully my family, therapist, and friends recognized that I was in pain and rallied to support me.  I spent the next year trying to get back to some sense of self.  Naturally, once I stopped starving myself and compulsively exercising, I gained some weight back.  This made me feel unworthy.  But I was determined to approach self-love a new way.  I decided to be kind to my heart and my body.  This meant regular exercise, but this time long walks outside, yoga, meditation and dancing.  Self-love also meant eating clean, but also allowing myself chocolate and the occasional splurge.  I committed to only positive self talk and to loving myself no matter my size.  For truly—whose body is static?  Our bodies ebb and flow with the seasons, and women in particular, flow with the moon, with the rise and fall of pregnancy, motherhood, menstruation and menopause.  It’s okay to take up space and to be dynamic.

I met Francesca Bliss at a new moon women’s circle at our local Red Tent.  I was entranced by her sparkle—her inner glow.  We connected over goddesses and the importance of women’s empowerment.  We want our daughters to love themselves and we know that work begins with us.  Thus, the idea for the inner goddess photoshoot was born.  We decided we wanted to do a Wild Woman/Nature Goddess photoshoot, centered around the Goddess Diana, who is the patron Goddess of wild women everywhere.  Diana/Artemis runs freely through the forest, bow and arrow slung over her shoulder.  She dances under the full moon and muses and bleeds under the new moon. 

Reclaiming my wild goddess self through photography was a scary but important step for me.  I knew that I had done a lot of “inner” goddess work—but in truth, I was still struggling to love my curvy, dimpled, size 14 frame.  I wanted to embrace not just my soul, but also my flesh.  I debated—maybe I should lose more weight—do I really want people to see me like this (I hadn’t posted many full body shots since I went into eating disorder recovery)?  I didn’t like my short hair.  Maybe I should wait to grow it out?  No!  I decided that THIS was exactly what it was about—loving myself right here, right now, short hair, size 14, blemishes and all!

Francesca Bliss was a dream to work with.  She understood my vision and helped me see myself as a goddess every step of the way.  Some of the most powerful shots from the session were very different—a soft, romantic shot with flowers in my hair (more like the goddess Venus/Aphrodite), and one with a powerful look on my face as I stare into the camera with a crown of twigs in my hair.  I learned from this experience that I am a goddess in all my forms—soft, sensual, strong, playful, powerful.  I represent many Goddesses—the goddess Diana of the wild, Venus of the magic of desire, and even the power of the dark goddesses.

Written by Mary Reid Bogue (mrboguewrites@gmail.com, Mary Reid Bogue on Facebook) 


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introducing Laura as Inari, the goddess of abundance

Laura is the embodiment of playful, creative energy.  Her passion and exuberance for life are as evident in her brightly colored hair as they are in her smile, her writing, and her bright personality.  Laura is a graduate student in the English program at Florida Atlantic University, and has an extensive background in gender studies.  She is also a writer of graphic novels and a cosplayer when she can find the time.  Creative energy is Laura’s inner fire, and for this shoot...

The trickstress ‘imagines a new reality and then finds a way to bring it into being, often through deception because the old order will not give in without a fight’
— rebellsociety.com

About Laura

Laura is the embodiment of playful, creative energy.  Her passion and exuberance for life are as evident in her brightly colored hair as they are in her smile, her writing, and her bright personality.  Laura is a graduate student in the English program at Florida Atlantic University, and has an extensive background in gender studies.  She is also a writer of graphic novels and a cosplayer when she can find the time.  Creative energy is Laura’s inner fire, and for this shoot, we chose a goddess that embodied Laura’s playful creativity and courage to confront social stereotypes through her scholarship and creative writing.  Laura’s “Splitting Seams” (www.splittingseams.com) graphic novels explore the challenges and gifts of a set of twins who are sewn together at birth in an attempt to save their life.  This series addresses themes such as mental and social differences, stereotypes, and the triumph of the human spirit through difficulty. 

Laura embraced the theme of her photo shoot with enthusiasm, and we loved the way her playful and powerful spirit came through in these photographs.  The interplay between her lavender ombre hair, her fair skin, and the purple kimono were just magical! Makeup artist Luciana Portes did an incredible job as well! I love the tiny jewels at the corners of Laura’s eye, which express a literal mischievous twinkle!             

About the Goddess

The Goddess Inari is the Japanese goddess of fertility and abundance.  She is often depicted carrying rice or armfuls of food/produce, or even eating.  She is portrayed as male/female and androgenous.  Many Trickster God/desses are often gender non-normative, and for this reason, have served as deities for the transgender and alternative lifestyle communities.  In literature and folklore, Trickster/ess figures were often court jesters, clowns, circus creatures, or fools (Shakespeare used this trope frequently).  Trickster deities were also quite frequently shapeshifters and took animal form to teach mortals a lesson or two.  Uncle Remus’ tales of the fox and Native American tales of foxes, Coyote, Raven, and Grandmother Spider who sits at the center of all creation are some well-known examples of this theme.  Many Native traditions considered clowns and tricksters as essential to a connection with the divine.  It is only in recent modern culture that the sacred has been so cruelly divided from the profane. For more info on Native American Mythology, read anything by Paula Gunn Allen, poet and memorist (I recommend “The Sacred Hoop”)

Kate Bornstein writes of the importance of challenging gender norms and the powerful role of tricksters, drag queens and all those that reveal the fluidity of cultural norms (“Send in the Clowns”).  The Goddess Inari often embodied the form a fox that shapeshifted into women. She was also associated with the kitsune, or nine-tailed fox.  The more tails a fox has, the wiser and more powerful it was considered.  Jewels and pearls are also a common symbol of Inari. Other common elements in depictions of Inari include a sickle, a sheaf or sack of rice, and a sword. Another belonging was their whip—although they were hardly known to use it, it was a powerful weapon that was used to burn people's crops of rice.  In Laura’s photos, you can see the symbols of the pearls and jewels, as well as the red and white flowers with pearl centers that symbolize Inari’s colors.

Written by and Goddess Consultation provided by Mary Reid Bogue, mrboguewrites@gmail.com


Curious about what it would be like to have your own Goddess Photoshoot? Send me a message and let's talk about what kind of photos we can create for you. 

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why I chose to do a Goddess Photoshoot - Christina's story

When Francesca Bliss first mentioned the ‘Goddess photo shoot’ concept,  my sensible self replied,  “How silly!” And within a nanosecond,  my adventure-seeking self said, “I’m in! When can we start?”

You see, I’m at that stage of life where being sensible and responsible are not only goals, but necessary qualities. Yet, I can’t deny it. My appetite for adventure has never diminished. 

When Francesca Bliss first mentioned the ‘Goddess photoshoot’ concept,  my sensible self replied,  “How silly!” And within a nanosecond,  my adventure-seeking self said, “I’m in! When can we start?”

You see, I’m at that stage of life where being sensible and responsible are not only goals, but necessary qualities. Yet, I can’t deny it. My appetite for adventure has never diminished. When Francesca suggested a journey into the territory of goddesses (just a stone’s throw away in Boca Raton, Florida), how could I say ‘no’?

Here is what I learned from the Goddess of Change - in her own words:

“Everything happens in its own good time. And there is no time like the present to allow change to replenish your soul with light and joy.”   

I had been feeling sluggish and lost in a mire of details while trying to juggle many facets of a life suddenly filled with complexities. At every turn,  I felt I was losing ground. Losing a part of my very essence. At times, I’ve felt like a slave, both to my emotions and to my body that have dragged me through treacherous straits.

Although my highest aspiration has always been to heal wounded spirits, no matter how much I’ve tried, my actions have so often fallen short. My healing arrows have missed their target.   

 “Sometimes the necessary change is as subtle as a slight shift in weight or stance, a dropping of the shoulder, an almost imperceptible smile, and suddenly, one’s target hits home!”

In my case, the readjustment to life in the bloodless third stage of a woman’s life has been nothing short of an explosion. It’s as if half of my being has been asleep and is, only now, waking up. For most of my adult life, I’ve been following in the footsteps of the male hunters - totally shunning my female nature. In spite of being born at the brink of the ‘Age of Aquarius’, I have never truly been convinced of feminine power. The louder the battle cry for ‘liberation’, the more I became a confirmed skeptic. 

"And so, after living a lifetime of basking in the moonlight of my ‘sun god’, it is time to SPARKLE! At dawn, I awaken to greet my sun where water meets land. Our embrace generates heat and light to all who attend. These are the rituals continued from time immemorial. We gather the nutrients from the soil that feed our bodies and the fire from the sky that light the flames of our soul. In our unity, we are complete. As long as the sun shines and the oceans bathe our shores, as long as we remember to open our arms to the skies and plant our feet firmly on the earth, we are whole - and powerful!”

These are the words of Changing Woman. 


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fascination with hats

I have always been drawn to hats and lately had a chance to photograph many women wearing them. There is something about hats that just transforms you into an elegant classy lady or a playful sassy girl. My friend Claire (in the first two portraits) has tons of hats, from fancy to cowboy and beach hats, and after our photo shoot she said that she might transform her style and start wearing hats all the time and become known as That Lady Who Always Wears Hats. Why not? And the Russian beauties...

I have always been drawn to hats and lately had a chance to photograph many women wearing them. There is something about hats that just transforms you into an elegant classy lady or a playful sassy girl. My friend Claire (in the first two portraits) has tons of hats, from fancy to cowboy and beach hats, and after our photo shoot she said that she might transform her style and start wearing hats all the time and become known as That Lady Who Always Wears Hats. Why not? And the Russian beauties in the third and fourth portrait brought their hats to the shoot and felt so liberated by being able to wear them in a judge-free zone of public opinion. How feminine and sultry they look! Here is to ladies wearing hats and to looking fabulous! 

Which hat reflects your style? Or which hat would you want to wear for your dream photo shoot? Tell me in the comments! 

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the queen of fairies (Goddess Photoshoot report)

I met Teri at the New Moon Circles that are regularly held at the Red Tent and are lead by the radiant Elaina Beam. I admired this woman from afar - her statuesque posture, huge smile, eyes radiating kindness, and a sparkle of tinsel strands in her blond hair. I remember one time "the homework assignment" for the circle was to bring a poem and Teri and I happened to bring the same poem, The Guest House, by Rumi. When I was eight months pregnant and revisited the women's circle after a...

I met Teri at the New Moon Circles that are regularly held at the Red Tent and are lead by the radiant Elaina Beam. I admired this woman from afar - her statuesque posture, huge smile, eyes radiating kindness, and a sparkle of tinsel strands in her blond hair. I remember one time "the homework assignment" for the circle was to bring a poem and Teri and I happened to bring the same poem, The Guest House, by Rumi. When I was eight months pregnant and revisited the women's circle after a long break, Teri, who was sitting next to me, asked, "Do you have a pediatrician?" That's how my daughter and I got ourselves an amazing doctor :) 

Goddess Photoshoot was Teri's gift from her boyfriend, who had heard about it through the grapevine. (What a fabulous and unique present for your beloved friend or partner... hint, hint!) The goddess consultation revealed that Teri embodied Goddess Oonagh (pronounced OO-NAH), the queen of fairies. Now that this first step of Goddess Photoshoot was done, several things had to be carefully planned in order to bring the Goddess through in images.

Oonagh is said to have golden sparkly hair (just like Teri's, but longer), she is the goddess of love and is considered a protectress of young animals (have you seen Teri's Facebook page? It is all filled with photos of dogs!) Oonagh is also the Queen of Fairies, which perfectly matches Teri's life's devotion to being a pediatrician - caring for children with her magic touch (as well as guiding new moms through the first months of motherhood!). "Oonagh arrives in your life to bless your relationships, bring happiness and joy, awaken your inner child and help you reach your dreams. Your strong resonances with Oonagh suggest that you also serve the role of blessing, bringer of dreams and mentor to others. Oonagh is also a goddess of exercise and sacred dance, so every time you dance you are invoking her in your life!" (from the Personal Goddess Archetype Map, prepared by Mary Reid Bogue). 

Oonagh is the goddess that is associated with nature, so from the very beginning I knew that the perfect spot for this shoot would be the Yamato Natural Scrubs area, which has my favorite Spanish moss, and offers much versatility in terms of vegetation and places to shoot. 

Teri didn't have clothes that matched the theme of our shoot, so I set out to either create the perfect dress, or find it. Having watched Sue Bryce (love her!) make beautiful dresses with big tulle skirts, I decided to make one myself. I bought dark green tulle and beautiful emerald stretch knit fabric with a vision of a grandiose dress that I would make, until I got home and started playing with the fabric to discover that I hadn't bought enough of it. So instead of the huge dress, I made a small dress, which you can see in the images below - I simply wrapped Teri in the two layers of fabric, and adorned her head with a flower crown, which I also made myself. The headdress idea came to me when I was playing around on Pinterest. I bought a bunch of artificial flowers at Michael's and gun-glued all the pieces together. It turned out pretty amazing, in my opinion. The green "dress" and floral headpiece were more along the lines of nature/forest nymph, but I thought that it fit our theme. I also made a small crown out of yellow/gold flowers. 

Since the epic green dress didn't quite work out as I planned, I continued my quest for the perfect dress, especially since the original vision was for a sparkly gold or silver dress, something very fairy-like. My favorite place to do treasure hunting is thrift stores, so I headed to the local shop and after having searched through a bunch of dresses (many of which would have been perfect for other goddess or simply dress up shoots - that's why I must pace myself when I go thrift shopping!), I found THE DRESS. The golden dress with sparkly beads was the perfect match for our shoot! It was size 4 and I sent Teri a photo of it, asking her opinion. She loved it and the only concern that remained was whether we would be able to squeeze Teri into it the day of the shoot. Guess what? It fit like a glove! It was the "meant to be dress" so, of course, it fit! The dress was beautifully complemented by Teri's own jewelry, which she had carefully picked out for the occasion. 

In post processing, to give the photos that golden hue, I ran an Alien Skin filter on the photos, as well as added a texture, which was a photo of the dress that I took, shooting wide open for bokeh effect. The texture lent its golden tint and dreamy bokeh circles to the final images, adding more magic. 

Another trick that I used in this photoshoot was something that I learned from Lara Jade and her Creative Live (LOVE them!) workshop with Sue Bryce titled "Experimental Portraits". To get that whimsical dreamy accent to photos, Lara shoots through a crystal. I was holding the crystal off to the side of the lens (the second photo in the gallery below) and focused on Teri's face, and the crystal added this rainbow-like reflection/cast, that I really like. I thought that it was a pretty neat trick, and I shall employ it in my further photography experiments. 

I am VERY HAPPY with how Teri's fairy goddess photos came out! I couldn't have done it alone, of course. Special thanks to Mary Reid Bogue, who did Teri's Goddess Reading, and to my wonderful friend Inna, who was my lighting/wardrobe assistant the day of the shoot! And to Teri, for her beautiful and radiant self and for allowing us a glimpse of her magic side.  


Curious about what it would be like to have your own Goddess Photoshoot? Send me a message and let's talk about what kind of photos we can create for you. 

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Snow Queen - the story behind the image

The idea to create this image of Snow Queen came about at the end of September when, pondering about upcoming Halloween, I realized that have never done a photo shoot in a really exaggerated disguise. Having conceived that notion, I immediately contacted a professional makeup artist Aradia Vive whom I had met just weeks before. Aradia of Bridal Makeovers by Aradia (www.bridalmakeovers.com) told me she would be interested in working on a project after having...

The idea to create this image of Snow Queen came about at the end of September when, pondering about upcoming Halloween, I realized that have never done a photo shoot in a really exaggerated disguise. Having conceived that notion, I immediately contacted a professional makeup artist Aradia Vive whom I had met just weeks before. Aradia of Bridal Makeovers by Aradia (www.bridalmakeovers.com) told me she would be interested in working on a project after having seen a few screenshots that I dug up in Google images. My next step was to find a model for the role and I immediately texted Nelly, who has been my contributor and friend and who is always willing to partake in my photographic experiments. After scheduling an appointment for the makeup to be done, Nelly and I set off on our quest to obtain all the materials to bring the image to life and it just happened so that in the car, on the way to the local arts and crafts store, I casually suggested the idea of a snow queen as a theme. I guess it struck a chord with Nelly so it was determined that snow queen is what she would to materialize into. Having narrowed it down to a theme made purchasing supplies so much easier - we bought rhinestones of assorted sizes, a jar of glitter,  white hair spray, wired tinsel, a bag of foil bits, and silver nail polish. The crown was created out of a decoration that was sold in the bridal/floral section, which I cut into smaller branches and attached using wired tinsel to a headband. I must say, I'm extremely proud of my creation - tis the first crown I had ever made! The entire trip to Bal Harbor and back, where Aradia performed makeup magic, took about five hours, but fighting rush hour traffic on the way back to Boca to do the shoot, we both felt satisfied that the hardest part of putting the image together had already been done. Once we got to the studio, the magic of transformation continued as Nelly skillfully (insisting she did not need me help when being asked five times) put her hair up in an intricate yet tasteful design and adorned it with a crown. To make sure the queen looked like she was made of snow, I proceeded to spray her hair with white hair spray, which on accidental contact with skin proved to be useful in that regard as well, so we sprayed Nelly's arms as well to give them a silvery glow. The final touch was to tie Nelly's chest with a silver belt (yes, it is a belt indeed) which we found at Marshall's for five dollars - those who seek truly find! 

The actual photo shoot was conducted with just one speed-light and a soft box. After having experimented with a number of poses, the million dollar shot turned out to be this image you see here. It was lots of fun to research ideas and come up with a theme and then manifest that vision into life. I am also very proud to have won an honorable mention for this image at a monthly photography contest that is held for members of a meetup called The Art of Seeing (it's a wonderful group of seasoned and aspiring photographers that provides a lot of inspiration and feedback). 

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follow your bliss

I always dreamt of being a photographer and have been fascinated with photography for years. In May of 2012, when I realized that I can have the life of my dreams if I dare to do the things that bring me joy, I bought a camera and resolved to learn photography. Having acquired the most important piece of equipment for the task, I signed up for two classes at a local art school (Boca Raton Museum of Art School) - Introduction to Digital Photography and Photoshop for Beginners. I learned a lot... 

I always dreamt of being a photographer and have been fascinated with photography for years. In May of 2012, when I realized that I can have the life of my dreams if I dare to do the things that bring me joy, I bought a camera and resolved to learn photography. Having acquired the most important piece of equipment for the task, I signed up for two classes at a local art school (Boca Raton Museum of Art School) - Introduction to Digital Photography and Photoshop for Beginners. I learned a lot during those classes and was in a constant state of euphoria from being immersed into this environment. In the introduction to photography the teacher gave us several assignments: to photograph a window, a self portrait, a portrait, and a person in a mask. Before I had signed up for that class I was convinced that most of my photography subjects would be animals and all of nature in general with all its beautiful detailed manifestations in particular. However, having done the last project on photographing a person in a mask (my at that time friend had a mask and volunteered herself for the project), I realized that I am irresistibly drawn to photographing humans. I fell in love with people since then and continue to be to this day. My most exciting photo shoots are the ones in which the subject is photographed not in their usual environment being their daily selves but where he or she comes up with a theme or dares to play out a fantasy or a dream. The latter type of photo shoot requires more preparation - searching for the right outfit and accessories, location, poses and trying to really convey a certain emotional state. This is also the type of shoot during which people realize that being a model is not as easy as it sounds - being able to communicate through your body, facial expressions and eyes is no easy task! These types of photo shoots leave my models ecstatic - it is not every day that you get to play dress up and reenact a dream and then feel like a star when looking at the professionally edited images. Being able to contribute to that state of joy is what makes me ecstatic about what I do - showing people how beautiful they are, inspiring people to dream and convincing them that dreams come true. Mine did. 

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