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the power of conscious dance

When I first started going to Moon Circles that included dance, it was my least favorite part of the gatherings. I was self-conscious and uncomfortable and felt very restricted in my body. As my spiritual journey progressed, dancing became not only less intimidating, but also empowering. At the latest Goddess Gathering (with Jen Rose) there was a girl named Lina who guided us through the dance part of our reunion, and it was such a powerful experience, that I asked Lina to shoot a video together and the fruit of our labor appears below. Lina is a poet, sketch artist, dancer, Tantra Practitioner, and a total complete Goddess!

When I first started going to Moon Circles that included dance, it was my least favorite part of the gatherings. I was self-conscious and uncomfortable and felt very restricted in my body. As my spiritual journey progressed, dancing became not only less intimidating, but also empowering. At the latest Goddess Gathering (with Jen Rose) there was a girl named Lina who guided us through the dance part of our reunion, and it was such a powerful experience, that I asked Lina to shoot a video together and the fruit of our labor appears below. Lina is a poet, sketch artist, dancer, Tantra Practitioner, and a total complete Goddess!

I will tell you more about the guided dance so you can see for yourself the transformation power of it. Before I do that, I must recall one more brief moment at another gathering that I observed (where there was no guide for the dancing part, just a free flow of beautiful music). There was one girl, a mother of a boisterous toddler. When I watched her dance, she reminded me of myself years ago. The girl seemed so restricted in her body, she couldn’t even dare to raise her arms up while dancing, and not because she simply didn’t want to, but you could tell, she looked very self-conscious and was so uncomfortable in her body.

So now back to the guided dance with Lina. First we dance practicing a certain breathing technique that brings energy into our sacrum and our bellies, and then for the second part of the dance she suggests we dance using big, warrior-goddess like movements, claiming the space around us, taking that space, and standing big. And as I pretend that my arms are giant swords with which I slice the air around me, and take giant steps in each direction, I feel big, I feel strong and I feel powerful. And it reminds me of a TED talk about how our body language shapes who we are. In that TED talk the speaker talks about how right before you go into a job interview or a sales presentation, you should put your legs shoulder width apart, raise your arms above your head and stand big for a few minutes. This sensation of “being big” physically affects how you feel psychologically - it makes you more confident, more assertive, and that, in turn, affects your whole presentation. Remarkable, isn’t it? If Lina had not guided us and didn’t “give us permission to be big” so to speak, I would have still enjoyed that dance, but it might not have felt as empowering. Having received that guidance from her gave me a chance to feel big, claiming my space instead of being afraid to take too much of it, and that physical feeling translated into a mental sensation that I am strong and powerful.

My other very profound encounter with ecstatic dance was at the East Coast Tantra Festival a few months ago. Dancing was a part of our morning open ceremony each day of the festival and I really grew fond of it. It’s like you turn of your brain and get out of your body’s way - let your body hear and FEEL the music and then experience the movements that your body takes you through. After four days at the festival where allowing your body to feel the music was what we practiced every day, when I returned home, for a couple of weeks I would immediately start swaying when I heard music in the supermarket or at another store, and I would want to raise my arms up and start dancing. I feel that I am more in touch with my body, with MYSELF, when I practice dance frequently.

So what exactly is ecstatic, or conscious, dance?

Ecstatic, or conscious dance, is a free-form dance which is always done barefoot with no alcohol or drugs involved. During this dance your mind and body practice uncensored, spontaneous movements and the dance allows you to express whatever you are going through at the moment. Not only does conscious dance is an exercise that doesn’t feel like exercise, but it also improves self image and builds confidence. For this type of dance, no thinking is needed, just feeling. Conscious dance is a sacred space to lose your fears, especially fear of failure. There’s no teacher, only a leader, or a guide, and there is no structure and no steps to learn, only a dance floor, positive energy, your intention and your beautiful body. You leave inspired, with peace and joy.

If you haven’t tried conscious or ecstatic dance before, I strongly encourage you to find a local event or group and give it a try. You may want to check out Ecstatic Dance Community of South Florida to find an event that resonates with you.

And finally, I introduce you to beautiful Lina, who will share with your her reasons for dancing and a beautiful poem she wrote.

Lina says, “This is my invitation to all, who have been shut down in regards to expressing their feelings, releasing emotions, abandoning fears, especially when it comes to body image and sensuality. 

What does it feel like when you are deeply aware of how your body feels? Just let it sink for a few seconds...

All the “forbidden” doors open to us when we allow our bodies to move in freeform dance. Unbounded energy - prime, raw and wild starts to flow. Not a single, suppressed part of us is left behind. Aha moment - we can set ourselves free! Through dance, through movement, through feeling it all. 

Conscious Dance is not just a physical form of movement but a spiritual journey. 

I refer to it as entering a sacred space, a sanctuary, where all the outside life is left behind and all we have is this embodied presence. Here we express, allow, let go, heal, celebrate, embrace our strangeness, darkness, childish excitement... 

From there, we become more conscious of our unconscious behaviors, beliefs, relationships, patterns. 

From there, we stand so much stronger in life, facing unnecessary change. 

Make dance your tool of transformation, so you can truly live in a beauty of movement, which brings natural harmony to all.”

 

Divine Feminine Dance

(by Lina Infanti)

It’s you and me

I can finally see

Mirroring each other

Like a full moon and a

Deep blue sea.

Before I thought, -

You never were a part of me,

Until a swirling dance,

That sucked me in,

Collided our souls

To find the path to love,

To heal, fulfill and dream…

Communion made!

So luminous and gleam,

Embracing both of our hearts

And lifting us above the stars

To hear a voice of stirring music,

For Earth and Sun become

Sublime and powerful

Completed One!


Have you tried ecstatic dancing? Please share about your experience in the comments!

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photographing this south florida dancer and performer made my head spin!

Immersed into setting up my flash while mumbling out loud about what I am doing, as I often do before and during photoshoots, I get slowly pulled back into this world by a sweet aroma of some essential oil. I glance over at my model, an exotic looking slender Gita, whom I met through an acquaintance, and I see her rubbing the shiny oil onto her legs. "I have a bunch of good luck rituals," she says with a huge grin.

 
You have to love dancing to stick to it. It gives you nothing back, no manuscripts to store away, no paintings to show on walls and maybe hang in museums, no poems to be printed and sold, nothing but that single fleeting moment when you feel alive.
— Merce Cunningham

Immersed into setting up my flash while mumbling out loud about what I am doing, as I often do before and during photoshoots, I get slowly pulled back into this world by a sweet aroma of some essential oil. I glance over at my model, an exotic looking slender Gita, whom I met through an acquaintance, and I see her rubbing the shiny oil onto her legs. "I have a bunch of good luck rituals," she says with a huge grin. 

As she confessed to me later, even the day of the week that we chose for our photo session, a Tuesday, was no coincidence.

She says Tuesdays are her lucky days.

The word "auspicious" comes to mind, which immediately makes me think of Eat, Pray, Love. - the book in which Liz, the heroine, raised money for a construction of a house for a family, which then kept putting off building the house for a ridiculous period of time because they were waiting for the "auspicious moment". English not being my native language, after reading that book the definition of this word was forever ingrained in my lexicon. 

And speaking of raising money for a cause, when Gita and I were exchanging text messages over a span of few days in preparation for the shoot, she told me that she would like to do a photoshoot while also raising money for a charity close to her heart - Food for Life Global. As I read that message, I thought to myself, "crazy lady. How can you model and raise money at the same time?" I am glad we talked about it and both agreed that we might join forces to raise money for this charity on a different occasion. 

Photographing Gita was effortless and joyful. Watching her spin in her 23-meter-of-fabric Flamenco skirt in front of a green live wall on Worth Avenue or watching her wave a soft delicate scarf against the backdrop of the bluest sky in South Florida (while also balancing and trying not to fall into the fountain in the center of Mizner Park) was like having a private show just for myself. Those passing by must have also felt the same way because they stopped and stared. And smiled. (Some took pictures with their phones, and one guy insisted we take a picture and send it to his friend Larry Jones in Beverly Hills). Random people told her how beautiful she was.

And everyone who laid eyes on her walked away with more sparkle in their eye, taking with them a tiny bit of her brilliant smile and radiant joy. 

Her name is Devi, which in Sanskrit means "goddess", another auspicious coincidence, since photographing goddesses is one of my passions. 

Her passion is, clearly, dancing.

As the epigraph to this article so accurately remarks, there is noting there for the ego to display once the dance is over (ok, you can record a video and can show THAT off), as opposed to my craft, in which I get to brag about the beautiful images I create (which leads me to this ongoing debate as to whether I am feeding my EGO or my SOUL by doing this, which brings me oh so much joy, my photography) I came across this quote, which, I suppose, is what dancers must feel:

To dance is to be out of yourself. Larger, more beautiful, more powerful... This is power, it is glory on earth and it is yours for the taking.
— Agnes de Mille

As I was editing pictures from my very first photoshoot with Gita, and the first photoshoot of this year, in the very last picture from our session (when I saw a "are you coming soon?" from my husband and told Gita that I had to run back home to my babies, and when she threw her hair up into a high pony tail which gave her a playful look), I noticed a small rooster, perched on a single tile above the passage where we shot. And just before I started editing, when I was frantically searching for a New Year's card to post on my Facebook profile (which I didn't do anyway) did I find out that this year 2017 is the year of the rooster according to Chinese horoscope. I believe in signs. And I took this rooster as a sign that it will bring me good luck this year. 

Later I found out that Gita was born in the year of a rooster, which means I have a double rooster in this photo, in the very beginning of the year of the rooster!!!

This is as auspicious as it gets. 

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